{"id":31,"date":"2023-02-09T09:33:17","date_gmt":"2023-02-09T08:33:17","guid":{"rendered":"https:\/\/www.konstfack2023.se\/?page_id=31"},"modified":"2023-06-22T12:40:14","modified_gmt":"2023-06-22T10:40:14","slug":"events","status":"publish","type":"page","link":"https:\/\/www.konstfack2023.se\/en\/events\/","title":{"rendered":"Events"},"content":{"rendered":"
Saturday, 6 May<\/div>\n
\n
1:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
2:00 pm<\/div>\n
\n
Welcome to the inauguration of the bachelor\u2019s students\u2019 Degree Exhibition<\/div>\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
2:30 pm<\/div>\n
\n
Allis Matei, Textiles<\/div>\n

Once Upon a Time Here Were Forests<\/em>
\nSee us, we are also here, a part of this world.
\nThe forest silently roars, it wants to be heard, it wants us to listen. Close your eyes, do you hear the birdsong? Soon it will no longer exist.
\nLocation: Vita havet\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
3:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
5:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Sunday, 7 May<\/div>\n
\n
2:00-2:45 pm<\/div>\n
\n
Guided tour at Konstfack’s Degree Exhibition 2023\n<\/div>\n

Maximum: 25 people per tour. Sign up for a list at Konstfack’s front desk.
\nLanguage: Swedish
\nLocation: Gathering at Konstfack’s front desk\n<\/p><\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Tuesday, 9 May<\/div>\n
\n
1:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
2:00 pm<\/div>\n
\n
Allis Matei, Textiles<\/div>\n

Once Upon a Time Here Were Forests<\/em>
\nSee us, we are also here, a part of this world.
\nThe forest silently roars, it wants to be heard, it wants us to listen. Close your eyes, do you hear the birdsong? Soon it will no longer exist.
\nLocation: Vita havet\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
3:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
5:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Wednesday, 10 May<\/div>\n
\n
1:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
3:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
5:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Thursday, 11 May<\/div>\n
\n
5:00 pm<\/div>\n
\n
Allis Matei, Textiles<\/div>\n

Once Upon a Time Here Were Forests<\/em>
\nSee us, we are also here, a part of this world.
\nThe forest silently roars, it wants to be heard, it wants us to listen. Close your eyes, do you hear the birdsong? Soon it will no longer exist.
\nLocation: Vita havet\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
Friday, 12 May<\/div>\n
\n
1:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
3:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
4:00 pm<\/div>\n
\n
Allis Matei, Textiles<\/div>\n

Once Upon a Time Here Were Forests<\/em>
\nSee us, we are also here, a part of this world.
\nThe forest silently roars, it wants to be heard, it wants us to listen. Close your eyes, do you hear the birdsong? Soon it will no longer exist.
\nLocation: Vita havet\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
\n
5:00 pm<\/div>\n
\n
Jenna Gillinger, Interior Architecture and Furniture Design<\/div>\n

Home Is Where Her Horror Is \u2013
\nA call for knowledge about domestic violence in the field of architecture & in society<\/em>
\nFilm\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.
\n(Performance is 7 min long.)
\nLocation: Basement\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Saturday, 20 May<\/div>\n
\n
2:00 pm<\/div>\n
\n
Welcome to the inauguration of the master\u2019s and teacher education students\u2019 Degree Exhibition<\/div>\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
3:00 pm<\/div>\n
\n
Linda Nurk, CRAFT! Textiles<\/div>\n

The Mad Silkworm Lady<\/em>
\nWhen the living material and the makers become one through time and movement.
\nLocation: Outside S9\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
1:00-4:30 pm<\/div>\n
\n
Kajsa R\u00f6nnholm, Fine Arts<\/div>\n

Time as Old as Tale<\/em>
\nSculptural performance. Time and water affects bricks made of clay, come see the well melt.
\nLocation: A10\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Sunday, 21 May<\/div>\n
\n
2:00-2:45 pm<\/div>\n
\n
Guided tour at Konstfack’s Degree Exhibition 2023\n <\/div>\n

Maximum: 25 people per tour. Sign up for a list at Konstfack’s front desk.
\nLanguage: Swedish
\nLocation: Gathering at Konstfack’s front desk\n<\/p><\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Wednesday, 24 May<\/div>\n
\n
4:30-6:00 pm<\/div>\n
\n
Elin Riis, Teacher Education Programme in Visual Arts<\/div>\n

Workshop in a sheep pasture<\/em>
\nWhat are sheep giving you? What are you giving back? Register by texting your email address to 0724423774.
\nLocation: Eolsh\u00e4lls 4H, Eolsh\u00e4llsv\u00e4gen 10, Axelsberg\n<\/div>\n

<\/div>\n

<\/p>\n

<\/div>\n
Thursday, 25 May<\/div>\n
\n
2:00-6:00 pm<\/div>\n
\n
Teacher Education Symposium: Democracy and Future<\/em><\/div>\n

Location: Svarta havet<\/p>\n

Welcome to a symposium at which we will discuss the opportunities and challenges of visual arts education based on five different essays by students in Konstfack\u2019s Teacher Education Programme. With a view to sustainability and democracy, we\u2019ll explore the subject of visual arts through formal and informal knowledge spaces, both physical and virtual. The aim of the conference is to deepen the conversation on the human need for aesthetics, as expression, place and function.\n<\/p><\/div>\n

<\/div>\n

<\/p>\n

PROGRAMME SCHEDULE<\/div>\n
<\/div>\n
\n
2:00\u20132:40 pm<\/div>\n
\n
Amanda Sammeli<\/div>\n

AI and Ideology<\/em>
\nJoin us for a session in which we will theoretically and practically approach AI-generated images together through the concepts of myth and ideology.\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
2:40\u20133:00 pm BREAK<\/div>\n
<\/div>\n

\n<\/div>\n

<\/div>\n
\n
3:00\u20133:50 pm<\/div>\n
\n
Belinda Mor\u00e9n<\/div>\n

How Do We Equip Students for Democratic Conversations Through Politically Charged Images?<\/em>
\nA panel discussion on democracy and values-based work in the subject of visual arts with a focus on how we address controversial issues.\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
3:50\u20134:00 pm BREAK<\/div>\n
<\/div>\n

\n<\/div>\n

<\/div>\n

<\/p>\n

\n
4:00\u20134:45 pm<\/div>\n
\n
Mari Eriksson<\/div>\n

Spectacular and Splendid, Speculations<\/em>
\nA lecture performance that examines speculative realism, dark pedagogy and imagery in the Anthropocene.\n<\/div>\n

\n<\/div>\n

<\/p>\n

<\/div>\n
\n
4:45\u20135:00 pm BREAK<\/div>\n
<\/div>\n

\n<\/div>\n

<\/div>\n

<\/p>\n

\n
5:00\u20136:00 pm<\/div>\n
\n
Sandrine Samuelsson and Katarina Seth <\/div>\n

Youth of the Urban Space \u2013 From Stockholm to Amman<\/em>
\nA conversation about which practical strategies and cultural expressions can be used to link young people with the cities they live in.\n<\/div>\n

\n<\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Saturday, 6 May 1:00 pm Jenna Gillinger, Interior Architecture and Furniture Design Home Is Where Her Horror Is \u2013 A call for knowledge about domestic violence in the field of architecture & in society Film\/music\/scenography\/3 actors. A work designed based on the fact that the most dangerous place for a woman is her own home.… Continue reading Events<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":4528,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-info.php","meta":{"footnotes":""},"class_list":["post-31","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/pages\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":31,"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/pages\/31\/revisions"}],"predecessor-version":[{"id":5603,"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/pages\/31\/revisions\/5603"}],"wp:attachment":[{"href":"https:\/\/www.konstfack2023.se\/en\/wp-json\/wp\/v2\/media?parent=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}