My painting explores portrayals of the physical sensation of revelation, glitter, glamour, the home and parallel worlds. I have taken different still lifes from a dollhouse and objects from my surroundings as my point of departure. I arrange the furniture and figures so that they resemble familial situations. Working with light and perspective creates drama.
Author: maria
Karin Jönsson
I compare my filmmaking method to the process of dreaming. First, the brain collects emotional impressions and practical information. Then, the following associative composing of these fragments. When the dream or the film is shown, it is not a truth or a lie but a translation from one language to another. In the Degree Exhibition,… Continue reading Karin Jönsson
Fanny Saga Matilda
Fanny Saga is an interdisciplinary artist working with painting, drawing, and video. She often explores themes of sexuality, femininity, shame, and power linked to bodily experience. Her motives often revolve around image worlds that are both public and private, where bodily recognition takes place and interacts with the gaze.
Anton Karlsson
During the summer before Konstfack, I worked with some wood that I had collected. The pieces of wood had been pieces of wood for a while and were already in the process of decomposition. I pounded, sawed, whittled, split and chopped! Later in the autumn, I brought in these pieces of wood that had been… Continue reading Anton Karlsson
Aima My Daorana Björk
In the Christian tradition of iconography, the image serves as a physical representation and a reminder of the presence of the divine. I want to remind you of something’s presence. I want to take a big bite out of the ones I love so that they get to feel that they are flesh and blood.… Continue reading Aima My Daorana Björk
Rokko Bengts
The Capture and the Captive is a hybridisation of my main interests: handicraft and screen-related activities. Through materialising and manipulating digital findings with textile techniques, I shed light on what unifies and divides these activities. It is a project about destructiveness, discipline, and how an amusement can turn into imprisonment.
Moa Åhlund
Why do I want to party so damn much? The best times in my life have always been in, and revolved around, intoxication. I see both textile crafts and intoxication as collective. The peak of both is the shared effervescence, the state of mind where those involved are on the same frequency, the goal is… Continue reading Moa Åhlund
Melina Badejo
I seek out things that I consider beautiful and that give me a feeling of security and calm – the colourful and that which makes me laugh. I am interested in the question of whether activism really must always be so angry and loud. Sometimes I think that it needs to be. Sometimes you have… Continue reading Melina Badejo
Linda Kajandi
It’s about dissolving the self and taking in the world. It’s transforming the body into other existences. It’s how we exist in both external and internal worlds that are in constant dialogue with each other. I let external and internal spaces meet on the body, where the skin becomes the thin membrane that separates them.… Continue reading Linda Kajandi
Lina Härdelin
In my degree project, I investigate my relationship to traditional textile crafts with a starting point in folk culture. In the encounter between folk costume and contemporary life, I want to give tangible shape to an idea that culture and tradition are in a constant state of change. It grows organically through time and space.… Continue reading Lina Härdelin